Brinehusk is a small world-building experiment disguised as a photo book. I pulled images and textures from years of my camera roll and arranged them as if they were artifacts from a submerged, rust-clogged sci-fi vessel. I love working at the intersection of fiction, type, and visual detail, so this project became a way to build a world through fragments—scratched metal, damp walls, obscure machinery, and hints of a story that never fully reveals itself. It’s an exploration of atmosphere more than narrative, letting everyday photos slip into the role of evidence from an imagined place.